Alright, let’s break down some Eric Clapton-inspired licks using the pentatonic scale. This video focuses on giving you some cool ideas you can use in your own playing, based around how Clapton uses the different positions of the pentatonic scale.
Basically, we’re walking you through five licks, each built around a different position of the minor pentatonic scale. We’re playing them in the key of A, but remember, you can move these patterns anywhere on the neck to play in different keys.
Here’s the breakdown:
Position 1: We start with a classic lick that uses a bend on the 7th fret of the G string, a staple in blues playing. We emphasize how Clapton often uses this bend to create a vocal-like quality.
Position 2: This lick incorporates some sliding and string skipping. We’re showing how to move smoothly between the notes within this pentatonic shape.
Position 3: We focus on using notes from the third position of the A minor pentatonic. The lick involves a double-stop on the 5th and 7th frets of the D and G strings.
Position 4: This one has a cool descending phrase. We’re showing how you can create interesting melodies by moving down the scale in a stepwise fashion.
Position 5: This lick uses a lot of hammer-ons and pull-offs. We point out that this adds a bit of fluidity and speed to your playing, something Clapton often does.
We emphasize that you should practice each lick slowly at first, making sure you have the fingerings down. Then, gradually increase the speed as you get more comfortable. We also encourage you to experiment with these licks, changing them up and adding your own personal touch. Try linking them together or using bits and pieces to create your own solos.
The key takeaway is to understand how these licks are built using the pentatonic scale positions and then use them as a springboard for your own improvisation. Don’t just copy them; learn from them and make them your own! Good luck, and have fun shredding!